STILLS

Friday, January 6, 2012

Mother puts on her makeup, 2007

Cherries, 2005

The drop, 2004

Eran kisses me goodnight, 2000

Mother puts on my lipstick, 1993

Mother and I, 2000

Hands with stockings, 1996

Eran and I, 1998

Mother is worried, 2001

Pain #9, 2003

ELINOR CARUCCI

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Most definitions of "art" are both pretentious and unacceptable. Why should mine be any better? This is the best I've been able to come up with: set up an arbitrary series of rules and follow them slavishly.

Errol Morris, 2010

We walk around like there's some holy moments and there are all the other moments - that are not holy, but this moment is holy. And film can let us see that. We can frame it so that we see, like, "Ah, this moment. Holy." Like "holy, holy, holy" moment by moment. But who can live that way? Who can go, "Wow, holy"? Because if I were to look at you and let you be holy -- I don't know. I would, like, stop talking.

Waking Life, 2001

We have to remember that what we observe is not nature herself, but nature exposed to our methods of questioning

Werner Heisenberg, Physics and Philosophy, 1958