STILLS: June 2009

Monday, June 29, 2009

JEFF WALL

After 'Invisible Man' by Ralph Ellison, the Prologue 1999–2000

WILLIAM EGGLESTON

Monday, June 22, 2009

NICHOLAS NIXON

Friday, June 19, 2009

JIM GOLDBERG
From: Rich and Poor

Wednesday, June 17, 2009

EILEEN COWIN
From: Family Docudrama series

SIMEN JOHAN
From: Evidence of Things Unseen

Sunday, June 14, 2009

BILL OWENS
From: Suburbia

Saturday, June 13, 2009

JUERGEN TELLER
Bjork, Spaghetti Nero, Venice 2007

DOUG DUBOIS

From: Avella

Thursday, June 11, 2009

SANDY SKOGLUND

Cats in Paris, 1993

Wednesday, June 10, 2009

SALLY MANN
White Skates

MARY FREY
from: Real Life Dramas 1984-1987

JO ANN CALLIS

from: Ballast

ABERLARDO MORELL
Camera Obscura: View of Volta Del Canal in Palazzo Room Painted With Jungle Motif, Venice, Italy

Most definitions of "art" are both pretentious and unacceptable. Why should mine be any better? This is the best I've been able to come up with: set up an arbitrary series of rules and follow them slavishly.

Errol Morris, 2010

We walk around like there's some holy moments and there are all the other moments - that are not holy, but this moment is holy. And film can let us see that. We can frame it so that we see, like, "Ah, this moment. Holy." Like "holy, holy, holy" moment by moment. But who can live that way? Who can go, "Wow, holy"? Because if I were to look at you and let you be holy -- I don't know. I would, like, stop talking.

Waking Life, 2001

We have to remember that what we observe is not nature herself, but nature exposed to our methods of questioning

Werner Heisenberg, Physics and Philosophy, 1958