STILLS

Saturday, January 9, 2016

Laura, 2012

Eileen Quinlan

Willa Nasatir

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Night Fight, 2008

Eileen Quinlan

Lefty, 2014

Willa Nasatir

Wednesday, January 28, 2015

Klaus Pichler

Ana Mendieta

Saturday, August 31, 2013

Michelle Stuart

Gordon Matta-Clark

Wednesday, August 21, 2013

Landscape as an Attitude

Luis Camnitzer

Tuesday, August 13, 2013

Boy have we got a vacation for you, 2005

David Lawrey and Jaki Middleton

Raked Leaves, 2011

Patrick Jacobs

Dwellings 1981, Whitney Museum

Charles Simonds

Installation from Otherworldy at the Museum of Arts and Design

Lombard's Home Installation

We Built the Valley to Hold Our Desire, 2012

Scoring a Chorus in the Crests that Could Not Be Owned, 2009

Gregory Euclide

Liliana Porter

La remise de sculpteur

Le Grenier de Sacher Masoch

Charles Matton

Go Home By Train

Xiangxi Zhang

Laundromat, 2008

Subway, 2012

Dissolution of Entities 2006, from Distillation

Cleave 2008, from Distillations End Matter 2001, from Distillations

The Reprisal 2006, from Reclamations

Subsidence, 2011 Installation at the Museum of Arts and Design

Thomas Doyle

After the Storm

A New Life #2

Matthew Albanese

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Most definitions of "art" are both pretentious and unacceptable. Why should mine be any better? This is the best I've been able to come up with: set up an arbitrary series of rules and follow them slavishly.

Errol Morris, 2010

We walk around like there's some holy moments and there are all the other moments - that are not holy, but this moment is holy. And film can let us see that. We can frame it so that we see, like, "Ah, this moment. Holy." Like "holy, holy, holy" moment by moment. But who can live that way? Who can go, "Wow, holy"? Because if I were to look at you and let you be holy -- I don't know. I would, like, stop talking.

Waking Life, 2001

We have to remember that what we observe is not nature herself, but nature exposed to our methods of questioning

Werner Heisenberg, Physics and Philosophy, 1958